{"id":3775,"date":"2026-05-14T21:24:47","date_gmt":"2026-05-14T19:24:47","guid":{"rendered":"https:\/\/apuliadancexperience.com\/?page_id=3775"},"modified":"2026-05-14T21:26:57","modified_gmt":"2026-05-14T19:26:57","slug":"camilla-cerulli","status":"publish","type":"page","link":"https:\/\/apuliadancexperience.com\/en\/camilla-cerulli\/","title":{"rendered":"Camilla CERULLI"},"content":{"rendered":"
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Born in Rome on 26 March 1999, she began her training at the National Academy of Dance in Rome, where she studied from 2010 to 2015. She then continued her education at the Ballet School of the Accademia Teatro alla Scala, graduating in 2018. <\/p>\n\n\n\n

In the same year, she joined the Ballet Company of Teatro alla Scala, taking part in productions both at La Scala and on tour, including Sylvia<\/em> by Manuel Legris (Two Nubian Slaves), Giselle<\/em> (one of Giselle\u2019s Friends), George Balanchine\u2019s Symphony in C<\/em> (Third Movement), and Rudolf Nureyev\u2019s The Sleeping Beauty<\/em> (Princess Florine).
\n\nIn the programme Evening of Four Choreographers<\/em>, she was among the performers in Alexei Ratmansky\u2019s Concerto DSCH<\/em>, and in the Contemporary Evening<\/em> she appeared in Birds Walking on Water<\/em>, a creation by Natalia Horecna.
\n\nDuring the performances of Rudolf Nureyev\u2019s Don Quixote<\/em> at the Teatro Arcimboldi, she performed the role of Cupid.
\n\nIn Rudolf Nureyev\u2019s La Bayad\u00e8re<\/em>, which opened the 2021\u20132022 Ballet Season, she danced in the Pas d\u2019Action<\/em>, the Second Solo Shade Variation, the Solo D\u2019Jampe role, and the \u201cManou\u201d Dance\u2014roles she would also reprise in the 2024 revival.<\/p>\n\n\n\n

At the first edition of Gala Fracci<\/em>, she performed the role of Civilisation in the excerpt from Excelsior<\/em>. In the revival of Manuel Legris\u2019 Sylvia<\/em> (May 2022), she also performed the role of a Naiad.
\n\nFor Wayne McGregor\u2019s production AfteRite+LORE<\/em>, she appeared as a member of the corps de ballet in the creation LORE<\/em>. In the July 2022 revival of Giselle<\/em>, in addition to dancing as one of Giselle\u2019s Friends, she also performed the Peasant Pas de Deux. She joined the cast of Paquita<\/em> during the performances of Variations of Beauty<\/em> at Teatro Arcimboldi, dancing one of the solo variations.<\/p>\n\n\n\n

Soloist Dancer since December 2022<\/strong>, in Rudolf Nureyev\u2019s The Nutcracker<\/em>, which opened the 2022\u20132023 Ballet Season, she performed the role of Louise and the Spanish Dance<\/em>, and later appeared as a Snowflake Soloist.
\n\nIn the Dawson\/Duato\/Kratz\/Kyli\u00e1n programme, she was among the leading performers in Philippe Kratz\u2019s creation Solitude Sometimes<\/em>. In Manuel Legris\u2019 Le Corsaire<\/em>, she appeared as one of the three Odalisques and subsequently performed the role of Gulnare.<\/p>\n\n\n\n

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For the programme William Forsythe Evening \u2013 Blake Works V<\/em>, she was among the leading performers in The Barre Project<\/em>, which she reprised in 2025, also performing in Blake Works I<\/em>.
\n\nShe took part in Copp\u00e9lia<\/em>, Alexei Ratmansky\u2019s new production that opened the 2023\u20132024 Ballet Season, dancing among the Six Friends of Swanilda<\/em> before making her debut in the title role of Swanilda.<\/p>\n\n\n\n

She received the Danza&Danza Award<\/strong> as Emerging Artist<\/strong> for the 2023 Season. In the Smith\/Le\u00f3n and Lightfoot\/Valastro triple bill, she was among the leading performers in Garrett Smith\u2019s Reveal<\/em>. In the July 2024 revival of L\u2019histoire de Manon<\/em>, she appeared among the Courtesans, and in John Neumeier\u2019s La Dame aux cam\u00e9lias<\/em>, she performed the role of Prudence.
\n\nIn the Balanchine\/Robbins triple bill, she was part of the four soloists in Theme and Variations<\/em> and performed the role of Apricot in Dances at a Gathering<\/em>. In the revival of Rudolf Nureyev\u2019s The Nutcracker<\/em>, which opened the 2024\u20132025 Ballet Season, she reprised the roles of Louise, the Spanish Dance, and Snowflake Soloist, before also performing in the Pastorale and making her debut in the title role of Clara.<\/p>\n\n\n\n

In the Kratz\/Preljocaj\/De Bana programme, she reprised Solitude Sometimes<\/em> and took part in Patrick de Bana\u2019s creation Carmen<\/em>, in the role of Michaela. For La Scala\u2019s premiere of Edward Clug\u2019s Peer Gynt<\/em>, she danced as one of the Four Madwomen; in Pierre Lacotte\u2019s Paquita<\/em>, she appeared as one of the Spanish Soloists, performing in the Grand Pas couples and the Pas de Trois.
\n\nIn the July 2025 revival of Rudolf Nureyev\u2019s Swan Lake<\/em>, she danced in the Waltz Soloists, the Four Little Swans, the Pas de Trois, and the Tarantella Soloists. In The Sleeping Beauty<\/em> by Rudolf Nureyev, which opened the 2025\u20132026 Ballet Season, she performed among the Princess\u2019s Friends, the Seven Fairies, and Princess Florine, before making her debut in the title role of Princess Aurora.<\/p>\n\n\n\n

At Gala Fracci 2026, she made her debut in the Act II pas de deux from Akram Khan\u2019s Giselle<\/em>.<\/p>\n\n\n\n

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Nata a Roma il 26 marzo 1999, inizia la sua formazione all\u2019Accademia Nazionale di Danza di Roma dal 2010 al 2015 per poi entrare alla Scuola di Ballo dell\u2019Accademia Teatro alla Scala, dove si diploma nel 2018. Nello stesso anno entra nel Corpo di Ballo del Teatro alla Scala dove prende parte alle produzioni in […]<\/p>\n","protected":false},"author":24993385,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-3775","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PfrwoN-YT","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/pages\/3775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/users\/24993385"}],"replies":[{"embeddable":true,"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/comments?post=3775"}],"version-history":[{"count":8,"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/pages\/3775\/revisions"}],"predecessor-version":[{"id":3792,"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/pages\/3775\/revisions\/3792"}],"wp:attachment":[{"href":"https:\/\/apuliadancexperience.com\/en\/wp-json\/wp\/v2\/media?parent=3775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}